AFTER leaving the Lost Light as part of a ruse, the Autobot
Drift has traveled the universe trying to fight for justice as kind of robotic
ronin. “Transformers Drift: Empire of Stone” # 1 showed the sword-wielding
former Decepticon being found by Ratchet, who tries to convince him to return
to the Autobots. But the two—together with a mercenary Decepticon named
Grit—are captured by some isolated Decepticons led by Gigatron. Remembering
Drift’s considerable past as Deadlock, Gigatron, flanked by his lieutenant
Hellbat, asks him to rejoin their cause so they can conquer the system.
Written
by Drift creator Shane McCarthy, the issue continues to build on Drift’s past
and present, as we see how the Decepticons used to see Deadlock (as a
stone-cold killer) and what he is now (a well-intentioned if inconvenient
knight errant). After the introductions of last issue, the second issue reveals
the real bad guy and really just moves the pieces of the puzzle around a bit.
It’s too early to tell if the story is any good since we are only at the
half-way point.
That
being said, the best thing about “Empire of Stone” is the crazy cast of
characters McCarthy has assembled. The duo of Drift and Ratchet is a mismatched
one, just as the former duo of Deadlock and Turmoil seem like a natural one.
But it’s great to see such an obscure character as Grit get good play in the
series. How obscure is he? Grit is actually one-half of a Micromaster Combiner
Construction Squad machine. Two Decepticon Micromasters combine to form a kind
of wheeled mechanical shovel vehicle. The other half? Knockout, of course.
But
you don’t get more obscure than the two ‘Con bad guys. Gigatron is a Japanese
Car Robots release of what is better known as the six-changer Robots in
Disguise Megatron. Here, he is depicted as a somewhat pompous, easily
manipulated warlord. But the other bad guy is even stranger. Hellbat is a
Japanese-only character from the Breastforce (yes that’s what they’re called)
who first appeared in the “Transformers: Victory” line and animated series.
Even back in the original series, he was quite the devious mastermind, so the
characterization here is spot on. We can only hope that more rare Transformers—i.e.,
the Japanese ones—show up in the last two issues.
If
only the characters were drawn better. Even though he is the original artist
who drew Drift back in “Transformers: All Hail Megatron,” Guido Guidi simply
isn’t the right artist for this series. His robots all kind of look alike,
harkening back to the last days of the Marvel generation one series. With the
range of characters here—and Drift, a very modern design in particular—he seems
like an unusual choice. That gorgeous cover by Alex Milne—with the super
complicated and non-blocky Drift—is a reminder of how the title character is
usually drawn. It’s almost like a tease to keep us reading this series. Let’s
see who else pops up here.
Next: More Than Meets the Eye # 36!
No comments:
Post a Comment